Class Description

Traditional lithography, stone or plate involves use of a variety of toxic chemicals to make ink-receptive and non-image areas receptive to water and ink-repellent. It also requires complex process steps. This course will introduce several alternative planographic printing techniques such as kitchen litho, pronto plate and paper litho. These techniques are much more accessible, simple processes and can be applied without harmful chemicals. *includes 2, 4 hour sessions of open workshop time Instructor Bio: Rie Hasegawa was born in Tokyo, Japan. She received her B.F.A in architecture design from Musashino Art University in 1993. She worked as a painter for a Stage Company before moving to NYC in 2000. She works in a variety of print media including intaglio, relief print, lithograph and monoprint. Her work in printmaking has been locally and internationally exhibited over twenty years. Rie’s work can be found in the collections of Yale University Art Gallery, New York Public Library, Jane Voorhees Zimmerli Art Museum, Harry Ransom Center, among others and various private collections. Rie has also been featured in multiple international newspapers and publications such as Carrier Pigeon Magazine and Japanese newspaper Asahi Shimbun. Rie currently works as a master printer and workshop technician at EFA Robert Blackburn Printmaking Workshop and has taught various printmaking classes/workshops at New York Academy of Art, MoMA’s education center and Women’s Studio Workshop among others. As a master printer she has collaborated on editions and provided technical assistance to over 70 artists. Artist collaborators include Zarina Hashmi and Alexandra Bell. Instagram @hariehanga Members get 10% Use code MEMBER10